Stanton SA-12 Bedienungsanleitung PDF herunterladen (Seite 5)

1. Mic/Line 3 level control

: Controls

the output level of the microphone/

Line channel.

2. Gain

: Controls the gain of each input

channel.

3. Mic/ Line 3 EQ

: Individual controls

for low and high frequency equaliza-

tion with (+/-10 dB)

4. EQ

: Individual controls for low fre-

quency, midrange, and high frequency

equalization with (+9dB/Kill) Note: Any

changes made to EQ settings will

change the overall output level.

5. FX ON/OFF

: These backlit buttons

control the signal flow of the effects

module. Press any of the buttons sep-

arately to turn the effects on or off for

Ch1, Ch2, or Mic/ Line 3. The correc-

sponding button will light up to show

the effect is on. When turned on indi-

vidually, there can only be one channel

effected. Assigning the effect toi a dif -

ferent channel will turn off the effect on

the previous channel. When Ch1 and

Ch2 are pressed simultaneously, the

effect signal is sent to the master out -

put, and both (Ch1 & Ch2) buttons will

be lit. When connecting a foot pedal to

the remote output (31), the FX ON/OFF

buttons become assign switches and

the foot pedal becomes the actual

ON/OFF switch. The selected button

will flash to show it is selected, and it

will light up once the foot pedal is

pressed to show the effect has been

turned on.

6. Pan control

: Controls left/right out-

put balance of each channel.

7. Optical Scratch Switches (OS2)

Switches between the phono and line

inputs.

8. Headphone mute

: Mutes the

headphones without having to change

its level.

9. Channel fader

: Controls the chan-

nel output level.

10. Crossfader

: Fades the overall

mixer output between channels 1 and

2. See “Focus Fader V2” section for

more details.

11. Input Level Meter

: Monitors each

channel’s input level with peak hold

function

12. Cue pan

: Fades the headphone

output between channels 1 and 2,

effectively allowing the user to preview

a mix.

13. Cue select

:On this feature, PRE

and POST refer to the crosfader. In

"PRE" position, the signal of control

selected by the Cue pan fader will be

monitored (pre-line fader, pre-crossfad-

er) as a stereo signal in the head -

phones. The “POST” position, is

somewhat similar to the “PRE” posi-

tion, except the singal is post crossfad-

er (pre-line fader, post-crossfader), so

if the cue pan fader is centered, the

signal received in the headphone

depends on the position of the cross-

fader. In "MASTER" position, the signal

monitored will be pre-master volume

(post-faders), meaning the signal will

still be present in the headphone even

if the Master volume control is turned

down.

14. Cue Level

: Controls the head-

phone output level.

15. Master level control

: Controls the

overall signal output level of the mixer.

16. Program reverse

: Reverses the

signal of input channels 1 and 2. When

switched to 2/1 channel 1 will control

channel 2’s inputs, and vice versa.

17. OS2 lock

: Locks the OS2 in its

current position to avoid accidentally

switching sources. Wherther the OS2

is in phono or line, activating the OS2

TOP PANEL

FOCUS FADER V2

Improving on the original and world's first optical fader design that brought the

industry and art to a new plateau, the Focus Fader V2 is truly curve adjustable to

accommodate to any style of DJ artist. Created to meet the requirements of

today’s higher standards , if your style requires a smooth fade for long mixes or a

razor sharp cut-off for precise scratching, V2 is the answer.

Just as it's predecessor started a movement in contactless fader designs, the

Focus Fader V2 Digital Optical Fader will continue to push the envelope. No more

bleeding, no more static, no more wasted time, just hours of practice enjoyment

and flawless performance.

The Focus Fader V2 is highly advanced and opens many doors for innovations in

DJ equipment technology. Fitted with an array of optic sensors and microproces -

sor controlled to eliminate the need for contacts or graphite material. V2 is as pure

as the sun rays. It will outlast any standard graphite or conductive plastic fader on

the market. This is why the it has a limited lifetime warranty (see warranty infor-

mation section).

The Focus Fader V2 is history in the making.

OPTICAL SCRATCH SWITCH (OS2)

Since the early days of DJing and Scratching the Phono/Line Switch had been an

integral part of an artist’s performance. In recent years the new techniques in

scratching have evolved to a point that surpassed the typical contact switch which

is too noisy to use in a performance. This led to the decline of its use. In any art

form the goal should be to move forward, the slow decline of the phono/line switch

use was a step backwards. Introducing the OS2.

Just as the introduction of the Focus Fader V1 has changed the face of the DJ

world for the good of all, so will the OS2. The Benefits are the same as other opti -

cal devices, such as the Focus Fader.: 1. No more static, 2. No more bleeding, 3.

Lots of scratching fun.

One Step Further: In addition to the sound benefits the OS2 also represents a

Stanton innovation in it's mechanical properties as well. It is the 1st phono/line

switch which uses a fader as the user interface. This will allow the same

hand/wrist movement to be executed when using the crossfader and OS2 which

in turn translates into efficiency in Scratching performance.

The flat handle and soft slide action of the OS2 makes it easy to perform any exist-

ing techniques including the Crab Scratch. The small travel and slide motion will

be a positive tool in conditioning the hand/wrist movements to be more minute and

precise. In conclusion the OS2 is another step forward in the Evolution of the DJ

Culture and of course as always Scratching.

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